Renoir Reread
Identifieur interne : 000661 ( Main/Exploration ); précédent : 000660; suivant : 000662Renoir Reread
Auteurs : Johan Hr [États-Unis]Source :
- Art History [ 0141-6790 ] ; 2001-09.
English descriptors
- Teeft :
- Academic studies, Action francaise, Admirable product, Ahistorical comparisons, Ambitious resolution, Analyse source material, Anna chave, Anne higonnet, Appropriate material, Arabesque lines, Argenteuil, Argenteuil paintings, Articles particuliers, Artisanal production, Artistic focus, Artistic production, Arts plastiques, Auction houses, Banker albert hecht, Baron georges eugene, Book monet, Camille pissarro, Ceiling decorations, Charles harrison renoir, Charles maurras, Charles opera, Classic theorie, Classical grandeur, Claude monet, Colour theory, Commodity culture, Communal inclusion, Complete text, Complex tour, Considerable favour, Couches sociales, Creative process, Critical dimension, Decorative arts, Different agenda, Dominant industry trends, Early patrons, Easel paintings, Edgar degas, Emile zola, Excellent contribution, Extraordinary number, Famous biography, Female warmth, Fernand leger, Financier ernest, French craftsmen, General strike, Georges seurat, Global economy, Good grounds, Griselda dictum, Gustave generation, Happy similarities, Harmonious beauty, Hartford exhibition, Henri bergson, Hierarchical enterprise, High society, Historical context, Holyoke college, Individual ability, Intellectual interest, Intractable elitism, Introductory essay, James herbert, Joan wallach, John ruskin, Lengthy introduction, Liberal conscience, Limpid prose workshop, Main purpose, Marc sangnier, Mark antliff, Mass production, Matthew affron, Meaning adrian lewis, Mere picture, Michael shaw, Middleton wagner, Modern shopfloor, Monographic form, Monotonous task, Moves analysis, Muhlenberg college, National gallery, Natural irregularity, Neat organization, Normandy coast, Notable scale interest, Numerous illustrations, Original research, Other artisans, Other labour, Other masters, Other spirits, Other tracts, Other trades, Parisian architecture, Parisian society, Particular portfolios, Pathbreaking investigation, Paul hayes tucker, Pennsylvania place, Perfect agreement, Photographer charles marville, Picture frame, Place vendome, Political action, Political economy, Political spectrum, Pompous display, Privileged function, Public buildings, Public expression, Quality craftsmanship, Radical history, Radical thinker, Reading renoir, Redemptive quality, Renoir, Renoir image, Review articles, Rich case study, Richard shiff, River scene, Robert herbert, Second empire, Short essays, Significant cause, Simple automaton, Sizable audience, Small workshop, Social history, Special issue, Speculator ernest hoschede, Stylistic analysis, Such encouragement, Suez canal shares, Superb colour, Supplementary notes, Systematic study, Talented craftsmen, Thoughtless reconstruction, Tolerant figure, Traditional argument, Undisciplined ideology, Unrelieved geometry, Unrestricted invention, Urban life, Utter immobility, Valuable resource, Victor hugo, Wadsworth athenaeum, Wall frescos, Western character, William morris, Worker exploitation ruling, Worthy successor, Yale university, Yale university press.
Abstract
Book reviewed in this article: Robert L. Herbert, Nature's Workshop; Renoir's Writings on the Decorative Arts
Url:
DOI: 10.1111/1467-8365.00284
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000290
- to stream Istex, to step Curation: 000290
- to stream Istex, to step Checkpoint: 000536
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- to stream Main, to step Curation: 000661
Le document en format XML
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<series><title level="j" type="main">Art History</title>
<title level="j" type="alt">ART HISTORY</title>
<idno type="ISSN">0141-6790</idno>
<idno type="eISSN">1467-8365</idno>
<imprint><biblScope unit="vol">24</biblScope>
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<publisher>Blackwell Publishers Ltd</publisher>
<pubPlace>Oxford, UK and Boston, USA</pubPlace>
<date type="published" when="2001-09">2001-09</date>
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<profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Academic studies</term>
<term>Action francaise</term>
<term>Admirable product</term>
<term>Ahistorical comparisons</term>
<term>Ambitious resolution</term>
<term>Analyse source material</term>
<term>Anna chave</term>
<term>Anne higonnet</term>
<term>Appropriate material</term>
<term>Arabesque lines</term>
<term>Argenteuil</term>
<term>Argenteuil paintings</term>
<term>Articles particuliers</term>
<term>Artisanal production</term>
<term>Artistic focus</term>
<term>Artistic production</term>
<term>Arts plastiques</term>
<term>Auction houses</term>
<term>Banker albert hecht</term>
<term>Baron georges eugene</term>
<term>Book monet</term>
<term>Camille pissarro</term>
<term>Ceiling decorations</term>
<term>Charles harrison renoir</term>
<term>Charles maurras</term>
<term>Charles opera</term>
<term>Classic theorie</term>
<term>Classical grandeur</term>
<term>Claude monet</term>
<term>Colour theory</term>
<term>Commodity culture</term>
<term>Communal inclusion</term>
<term>Complete text</term>
<term>Complex tour</term>
<term>Considerable favour</term>
<term>Couches sociales</term>
<term>Creative process</term>
<term>Critical dimension</term>
<term>Decorative arts</term>
<term>Different agenda</term>
<term>Dominant industry trends</term>
<term>Early patrons</term>
<term>Easel paintings</term>
<term>Edgar degas</term>
<term>Emile zola</term>
<term>Excellent contribution</term>
<term>Extraordinary number</term>
<term>Famous biography</term>
<term>Female warmth</term>
<term>Fernand leger</term>
<term>Financier ernest</term>
<term>French craftsmen</term>
<term>General strike</term>
<term>Georges seurat</term>
<term>Global economy</term>
<term>Good grounds</term>
<term>Griselda dictum</term>
<term>Gustave generation</term>
<term>Happy similarities</term>
<term>Harmonious beauty</term>
<term>Hartford exhibition</term>
<term>Henri bergson</term>
<term>Hierarchical enterprise</term>
<term>High society</term>
<term>Historical context</term>
<term>Holyoke college</term>
<term>Individual ability</term>
<term>Intellectual interest</term>
<term>Intractable elitism</term>
<term>Introductory essay</term>
<term>James herbert</term>
<term>Joan wallach</term>
<term>John ruskin</term>
<term>Lengthy introduction</term>
<term>Liberal conscience</term>
<term>Limpid prose workshop</term>
<term>Main purpose</term>
<term>Marc sangnier</term>
<term>Mark antliff</term>
<term>Mass production</term>
<term>Matthew affron</term>
<term>Meaning adrian lewis</term>
<term>Mere picture</term>
<term>Michael shaw</term>
<term>Middleton wagner</term>
<term>Modern shopfloor</term>
<term>Monographic form</term>
<term>Monotonous task</term>
<term>Moves analysis</term>
<term>Muhlenberg college</term>
<term>National gallery</term>
<term>Natural irregularity</term>
<term>Neat organization</term>
<term>Normandy coast</term>
<term>Notable scale interest</term>
<term>Numerous illustrations</term>
<term>Original research</term>
<term>Other artisans</term>
<term>Other labour</term>
<term>Other masters</term>
<term>Other spirits</term>
<term>Other tracts</term>
<term>Other trades</term>
<term>Parisian architecture</term>
<term>Parisian society</term>
<term>Particular portfolios</term>
<term>Pathbreaking investigation</term>
<term>Paul hayes tucker</term>
<term>Pennsylvania place</term>
<term>Perfect agreement</term>
<term>Photographer charles marville</term>
<term>Picture frame</term>
<term>Place vendome</term>
<term>Political action</term>
<term>Political economy</term>
<term>Political spectrum</term>
<term>Pompous display</term>
<term>Privileged function</term>
<term>Public buildings</term>
<term>Public expression</term>
<term>Quality craftsmanship</term>
<term>Radical history</term>
<term>Radical thinker</term>
<term>Reading renoir</term>
<term>Redemptive quality</term>
<term>Renoir</term>
<term>Renoir image</term>
<term>Review articles</term>
<term>Rich case study</term>
<term>Richard shiff</term>
<term>River scene</term>
<term>Robert herbert</term>
<term>Second empire</term>
<term>Short essays</term>
<term>Significant cause</term>
<term>Simple automaton</term>
<term>Sizable audience</term>
<term>Small workshop</term>
<term>Social history</term>
<term>Special issue</term>
<term>Speculator ernest hoschede</term>
<term>Stylistic analysis</term>
<term>Such encouragement</term>
<term>Suez canal shares</term>
<term>Superb colour</term>
<term>Supplementary notes</term>
<term>Systematic study</term>
<term>Talented craftsmen</term>
<term>Thoughtless reconstruction</term>
<term>Tolerant figure</term>
<term>Traditional argument</term>
<term>Undisciplined ideology</term>
<term>Unrelieved geometry</term>
<term>Unrestricted invention</term>
<term>Urban life</term>
<term>Utter immobility</term>
<term>Valuable resource</term>
<term>Victor hugo</term>
<term>Wadsworth athenaeum</term>
<term>Wall frescos</term>
<term>Western character</term>
<term>William morris</term>
<term>Worker exploitation ruling</term>
<term>Worthy successor</term>
<term>Yale university</term>
<term>Yale university press</term>
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<front><div type="abstract" xml:lang="en">Book reviewed in this article: Robert L. Herbert, Nature's Workshop; Renoir's Writings on the Decorative Arts</div>
</front>
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